12-01-2024, 03:58 PM
917.87 MB | 00:19:33 | mp4 | 1920X1080 | 16:9
Genre:eLearning |Language:English
Files Included :
Part 1 Scheduling, speed, microphone choice & placement, noise floor, speaker setup, room correction (111.26 MB)
Part 10 Mix buss, single vs multi-band compression, IEMs vs cabinets, monitor mix alterations, performance style (110 MB)
Part 2 Virtual sound check, desk recordings, time delay, dynamic control, mastering the band, orchestra, & playback (48.44 MB)
Part 3 Monitor engineering, binaural audience mix, enhancing player connection, blending live & playback material (61.64 MB)
Part 4 Gain structure, headroom, countering bass build-up, compression, gating, taming harshness, cohesiveness (51.65 MB)
Part 5 Console specs, software vs hardware processing, fibreoptic loop, equipment racks, radio frequency (94.95 MB)
Part 6 Set design, instrument layout, time & phase alignment, calibration, pre-EQ, venue acoustics, troubleshooting (79.41 MB)
Part 7 Timecode snapshots, instrument groups, VCAs, multi-band compression, treatment on multi-tracks (117.47 MB)
Part 8 Soloist presence, percussion detail, channel input delays, Haas effect on panning & timing (74.47 MB)
Part 9 Full sound check, equalization, automation cues, sound vs feeling, valve saturation, conductor communication (168.07 MB)]
Screenshot
Part 1 Scheduling, speed, microphone choice & placement, noise floor, speaker setup, room correction (111.26 MB)
Part 10 Mix buss, single vs multi-band compression, IEMs vs cabinets, monitor mix alterations, performance style (110 MB)
Part 2 Virtual sound check, desk recordings, time delay, dynamic control, mastering the band, orchestra, & playback (48.44 MB)
Part 3 Monitor engineering, binaural audience mix, enhancing player connection, blending live & playback material (61.64 MB)
Part 4 Gain structure, headroom, countering bass build-up, compression, gating, taming harshness, cohesiveness (51.65 MB)
Part 5 Console specs, software vs hardware processing, fibreoptic loop, equipment racks, radio frequency (94.95 MB)
Part 6 Set design, instrument layout, time & phase alignment, calibration, pre-EQ, venue acoustics, troubleshooting (79.41 MB)
Part 7 Timecode snapshots, instrument groups, VCAs, multi-band compression, treatment on multi-tracks (117.47 MB)
Part 8 Soloist presence, percussion detail, channel input delays, Haas effect on panning & timing (74.47 MB)
Part 9 Full sound check, equalization, automation cues, sound vs feeling, valve saturation, conductor communication (168.07 MB)]
Screenshot