Quote:Impressionism remains wildly popular. Crowds flock to exhibitions by its greatest artists: Édouard Manet, Berthe Morisot, Pierre-Auguste Renoir, Edgar Degas, Claude Monet, Camille Pissarro. But as Sebastian Smee shows in Paris in Ruins, a book of great narrative sweep and vivid detail, Impressionism was a complex reaction to an age of violence and war.

From the summer of 1870 to the spring of 1871, the 'Terrible Year', Paris and its people were cut off, starved and forced to surrender by Germans-before rebel republicans established a breakaway government or Commune. After the burning of central Paris, the republicans were crushed by the French army.

Smee tells this story through the eyes of these key artists, with a special focus on the intimate, enigmatic relationship between Manet-the father of Impressionism-and Morisot, the group's only female member in its early years. An indelible portrait of the city, Paris in Ruins captures the chaos of that year, and reveals how it had an incalculable effect on the development of modern art.

Born in 1972 in Adelaide, Sebastian Smee is now a Pulitzer Prize-winning art critic at the Washington Post. He has written widely about art, and is the author of The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art. He lives in Boston.

'Astonishing. Heartstopping. A true story confined by two brutal years, and the walls of a great city under siege, which exults in love, courage, beauty, mischief and the mystery of human intimacy.' Annabel Crabb

'Its psychological insights into male friendship, ambition, ego and vulnerability make it a book as rich as a multi-layered cake.' Sydney Morning Herald on The Art of Rivalry